It’s Really About Nothing At All is a multi-media exhibition that elaborates on the compulsion of looking, from the perspective of a perpetual urban wanderer. A series of discarded soda cup lids with straws photographed in situ depict a kind of obsessive game played by the artist on his rambles through the city, with explicit rules surrounding the circumstances under which each of the found lids are documented. A video installation running continuously on the gallery floor projects footage taken by a rudimentary video cart propelled through the streets by the artist, accompanied by photos of the artist and his cart taken by passersby, at the artist’s invitation.  Lewis’s practice is a “reading of the street”, detailing moments/shadows, street level interaction, and simple architectures of space.