Rhopography, an archaic term frequently used in the 19th century for still life painting,  derives from the Greek word rhopos (trivial objects, small wares, trifles).

Through constructing still lifes of dead insects and food scraps, Joachim Froese’s work refers specifically to the historical tradition of Flemish and Spanish still life painting. His black and white photographs are a modern reflection on both of these traditions, while challenging the notion of truthfulness in photography. Rhopography leaves the viewer guessing whether the depicted creatures are in fact dead or alive, whether the Kafkaesque scenery is real or imagined.